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Allison Huetz is a PhD student at the University of Geneva, having commenced her doctoral studies in January 2015 as part of the Dispamonde project, which investigates the connections between spatial devices and the emergence of new ways of thinking, imagining, and experiencing space during the Belle Époque in Geneva. She examines the influence of the 1896 Swiss National Exhibition on defining Geneva as a 'cultural capital' and focuses particularly on the development of performance venues in the city that reshaped public morality from 1880 to 1920. Allison is also a lecturer at the University of Lausanne, where she teaches a seminar course on cinema and censorship. She has organized academic conferences on spatial simulation and public imagery, has benefited from FNS mobility funding for research in Berlin, and has collaborated on historical studies pertaining to the Casino-Theatre of Geneva. Her research interests include the history of photography, film history, cultural geography, visual studies, and urban studies.
University of Geneva • Geneva
Conducting research in the Dispamonde project and focusing on the creation of public spectacles.
University of Lausanne • Lausanne
Teaching courses related to cinema and public imagery.
Includes Department of Management, Finance, Economics, and Statistics programs. GMAT is strongly encouraged but not mandatory for most GSEM masters.