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Bettina Gockel holds a chair in the History of Visual Arts at the University of Zurich's Institute of Art History. Her academic focus encompasses the history of visual arts in a global context, theory and history of photography, and the relationship between art and the natural sciences. Gockel's scholarly contributions include the edited volume 'Colors Photography,' which explores the aesthetics and politics of the photographic medium, examining its historical and theoretical dimensions. She has published extensively on the visual arts, including studies of the Dutch painter Thomas Gainsborough and the implications of color theory in art. With over two decades of teaching experience, Gockel is committed to guiding students in critical visual literacy and engaging them with contemporary discussions surrounding the role of art in society and politics. She has also led initiatives focused on the historical and theoretical aspects of photography, underscoring her belief in photography's significant cultural relevance. Her distinguished career includes research fellowships and honorary appointments; she regularly organizes symposiums and public lectures that contribute to the broader discourse on art history.
University of Zurich • Zürich
Leading the Institute of Art History and focuses on photography and its cultural implications.
Department of Law