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Boris Čučković Berger holds a professorship in Digital Art History at Ludwig Maximilian University of Munich. His research focuses on media practices in contemporary art and the political aesthetics involved in digital image cultures. He explores methodologies for art history and emphasizes the intersections of art, labor, and materials with historical context. His work examines digital production and cultural forms, the engagement of contemporary artistic practices with platform economies, and the impact of open source methods on visual cultures. Čučković Berger also investigates the socio-political implications of visual economies, particularly in relation to crowdsourcing and crowdfunding in the art world, as well as the crisis of visual form in the wake of the 2008 financial crisis. He welcomes graduate students interested in these intersections of art, technology, economy, and aesthetics.
Ludwig Maximilian University of Munich • München, Germany
Teaching and researching in the field of Digital Art History.
Administered by the Faculty of Economics. GRE is NOT required for the standard M.Sc. Economics.