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Caroline Jones is a Professor specializing in modern contemporary art with a particular focus on technological modes of production, distribution, and reception. She is trained in visual studies and art history from Harvard and completed her graduate work at the Institute of Fine Arts in New York before earning her PhD at Stanford University in 1992. Prior to completing her degree, she worked in museum administration and exhibition curation at the Museum of Modern Art in New York and Harvard University Art Museums. Her exhibitions and films have been shown in prestigious venues including the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Hara Museum in Tokyo, and MIT's List Visual Art Center. She has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Foundation, among others. Her publications include notable works such as 'Eyesight Alone: Clement Greenberg's Modernism', 'Machine Studio: Constructing Postwar American Artist', and edited volumes on technology and contemporary art. Jones's ongoing research interests encompass globalism, artist agency, and new media art, with a focus on her latest book 'Global Work of Art' published in 2016.