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Since joining the University of Glasgow in 2017, Christina Young has established herself as a notable figure in the field of Conservation Technical Art History. Holding a background from the Courtauld Institute of Art in the Conservation of Easel Paintings and Conservation Science, she has been recognized as a Leverhulme Research Fellow at Tate. Christina's teaching integrates both technical art history as well as conservation science, emphasizing the historical significance of painted stage cloths and the mechanics of painted cultural heritage. Her long-term research interests extend to conservation practices in modern contemporary art and the development of non-invasive monitoring techniques. She has actively supervised PhD projects addressing critical issues in artistic heritage preservation, including the application of state-of-the-art optical techniques to study cultural artifacts. As Director of the Kelvin Centre for Conservation, Christina also participates in numerous national and international collaborations, promoting advances in conservation practices and engaging in public outreach to raise awareness about the importance of preserving cultural heritage.
University of Glasgow • Glasgow, Scotland
Professor in Conservation Technical Art History, teaching and conducting research in conservation practices.