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Daniel Walden specializes in music theory and history, particularly from the nineteenth and twentieth centuries. His research focuses on the intersection of music theory and global historical perspectives, especially in relation to colonialism and decolonial thought. He has engaged in practice-based research as a pianist and harpsichordist, consistently integrating his practical music experiences with theoretical insights. His work includes translations of scholarship and editing volumes that explore metaphors in music and sound. Walden has obtained grants for innovative instruments and pedagogical methods, showcasing a strong commitment to advancing music theory and performance practices.
Yale University • New Haven
Teaches music theory and analysis, focusing on history and practice, contemporary music, and performance.
Durham University • UK
Specialized in Music Analysis.
Queen’s College, Oxford • UK
Conducted research in Music.
Administered via the Graduate School of Arts and Sciences (GSAS). GRE General is optional for PhD.