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Darren Wershler is a Professor in the Department of English at Concordia University, specializing in communication studies, media history, and contemporary literature. He has an interdisciplinary approach to research and teaching, driven by a commitment to connect art with contemporary digital culture. Wershler's scholarly work includes a focus on avant-garde art literature and new media, particularly in the context of the 20th and 21st centuries. His recent publications include 'Guy Maddin’s Winnipeg' and 'The Iron Whim: Fragmented History of Typewriting.' He has contributed to various anthologies and peer-reviewed journals, exploring themes such as copyright, creator's rights, and cultural policy in the digital age. Wershler has also received grants from organizations such as SSHRC and has served in multiple collaborative research initiatives. His current research includes monographs on the works of conceptual writer Kenneth Goldsmith and co-editing anthologies related to conceptual poetics. Through his work, he contributes significantly to discussions in media studies and the evolution of digital narratives.
Administered by the Mel Hoppenheim School of Cinema; focuses on cinematic arts practice and research-creation.