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Georgina Evans primarily focuses on contemporary French cinema, with a particular interest in inter-sensory relationships within film and the workings of synaesthetic narratives. Her published work extensively covers French filmmakers, including Michael Haneke and Krzysztof Kieslowski, and highlights her particular interest in the works of Claire Denis. Currently, she is involved in a project that examines the concept of 'home' in French cinema. Through her research, Evans engages with prospective MPhil and PhD students whose research interests align with her own.
Standard postgraduate requirements for Department of Politics and International Studies (POLIS) and related humanities departments.