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Gundula Kreuzer is a prominent academic in the field of musicology, concentrating on the intersections of history, theory, and opera. She specializes in contemporary 'indie' opera, music historiography, and the cultural history of German and European music from 1800 onward, including significant figures such as Verdi and Wagner. Kreuzer holds a Master of Studies and D.Phil. in musicology from the University of Oxford, following her studies at the University of Münster. She joined the Yale Department of Music in 2005 after a postdoctoral fellowship at Merton College, Oxford. Her notable works include the award-winning book 'Verdi Germans: Unification Reich' and the monograph 'Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera'. She has contributed widely to both academic and popular discourse in music, serving as Reviews Editor for the 'Opera Quarterly' and on several editorial boards, including the 'Journal of the American Musicological Society'. Kreuzer is recognized not only for her scholarship but also for her efforts to engage the public through various media, including radio broadcasting and a series of conferences at Yale that focus on contemporary opera topics. In addition to her academic pursuits, she has received several prestigious awards for her contributions to musicology and has been involved in leadership initiatives within academia.
Yale University • New Haven, CT
Chair of the Music Department, focusing on the interdisciplinary study of music and its cultural contexts.
Administered via the Graduate School of Arts and Sciences (GSAS). GRE General is optional for PhD.