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Guy Dammann is a researcher at Uppsala University, specializing in the intersection of philosophy and music. He holds an MA from the University of Oxford (1994) and an MMus (1999) and PhD (2006) from King's College London. His doctoral thesis focused on the relationship between Jean-Jacques Rousseau's musical theories and moral philosophy, titled 'The Morality of Musical Imitation in Jean-Jacques Rousseau.' After becoming a journalist in 2006, he specialized in music culture, serving as a music critic for The Guardian from 2008 and as the main opera critic for The Times Literary Supplement beginning in 2009. From 2009 to 2014, he taught at the Guildhall School of Music and Drama in London. Dammann's research interests encompass Philosophy of Music, Aesthetics, Music Criticism, Contemporary Music, Opera, and Music Ideas in Eighteenth-Century France.
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