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Jairo Moreno's work in music theory focuses on the intersections of music production, modernity, and historical perspectives. His major publications include 'Musical Representations, Subjects, Objects: Construction Musical Thought Zarlino, Descartes, Rameau, Weber' (Indiana University Press, 2004) and the forthcoming 'Syncopated Modernities: Musical Latin Americanisms in the U.S., 1978-2008' (University of Chicago Press), which examines music's role in political practices during late capitalism. As a co-editor for the Oxford University Press series 'Critical Conjunctures in Music and Sound' and 'Econophonia: Music, Value, Forms of Life' (Boundary 2, 2016), he explores critical ethnographic studies in music. Moreno conducts fieldwork with the Pankararu community in Brazil and researches aural practices among midwives in the Colombian Pacific region. His accolades include the 2005 Irving Lowens Article Award from the Society for American Music and fellowships from ACLS and the National Humanities Center. Additionally, he is a professional bassist with appearances on five Grammy Award-nominated recordings and has collaborated with several renowned artists.
University of Pennsylvania • Philadelphia, PA
Professor in the Department of Music focusing on music theory and ethnographic studies.
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