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John Roeder is a Professor Emeritus in the School of Music at the University of British Columbia. With a background from Harvard University for his A.B. and Yale University for his Ph.D., Roeder has established himself as a music theorist and analyst. He focuses on understanding how people conceive music, emphasizing the organization of time in coherent, expressive, and meaningful ways. His research is particularly relevant to contemporary composers and includes interests in popular music, jazz, and Renaissance polyphony, as well as phenomenology and post-tonal grouping. He has provided direction to graduate student research in various areas, including rhythm, meter, and mathematical approaches to music. Roeder has also been involved in interdisciplinary projects like InterPARES and has held grants from the Social Sciences and Humanities Research Council of Canada for studies on contemporary art music. Active in the Society for Music Theory, he participates on editorial boards and has led workshops and seminars to advance the study of contemporary music theory.
University of British Columbia • Vancouver, BC, Canada
Retired professor with extensive focus on music theory and composition.
Offers course-only and thesis routes. Focus areas include philosophy of science, mind, ethics, and Asian philosophy.