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Joshua Neves' research centers on global digital media with a particular focus on video, television, and digital culture in China, Asia, and the Global South. His work is informed by cultural and political theory, media ethnography, and critical perspectives on development and legitimacy. He is the co-editor of 'In/Convenience: Inhabiting Logistical Surround' (2024), lead author of 'Technopharmacology' (2022), and author of 'Underglobalization: Beijing’s Media Urbanism Chimera Legitimacy' (2020). He has co-edited 'Asian Video Cultures: Penumbra Global' (2017) and published articles in reputable journals such as Media Theory, Cultural Critique, and Film Quarterly. Currently, Neves is engaged in examining media development in the age of the fourth industrial revolution and the implications of video art in the internet television era.
Administered by the Mel Hoppenheim School of Cinema; focuses on cinematic arts practice and research-creation.