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Katrina Palmer's artistic practice includes writing and exhibition-making, producing written compositions that locate objects, bodies, voices, and covert material presences within narrativized contexts. Her work explores the intersections of language and sculpture, focusing on themes of uncanny physical displacements, marginalization, and absence. Notable solo exhibitions include 'What's Going' at Mead Gallery (2023) and 'Coffin Jump' (2018) at Yorkshire Sculpture Park, which highlighted women's roles during World War I. She has been awarded the Paul Hamlyn Award for Artists in 2014 and has contributed significantly to contemporary art discourse with publications such as 'Touch Report' and 'Dark Object'. Palmer holds a significant academic position as the Head of Undergraduate Sculpture at the Slade School of Fine Art, University College London, overseeing PhD supervision and maintaining a sustained commitment to artistic practice and education. Her work often engages with notions of mortality and the structures that constrain human experiences.
Slade School of Fine Art, University College London • London, UK
Head of Undergraduate Sculpture.
Ruskin School of Art, University of Oxford • Oxford, UK
Co-Leader of MFA; taught undergraduate and DPhil programmes.