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Dr. Tsang’s research interests encompass a wide array of topics in martial arts films and cinema, activism, and political history. His book project, titled 'Law: Political History of Hong Kong Martial Arts Cinema, 1949-1976,' explores the intricate relationship between colonial realities, Cold War influences, and the development of martial arts cinema. By challenging conventional approaches, the project emphasizes how these films shaped national consciousness and were influenced by colonialism and the Cold War. Dr. Tsang uniquely interrogates genre and reveals the association between localized Cold War geopolitics and cultural strategies of containment. His work extends beyond typical genre history, delving into overlooked subjects such as film censorship, martial arts clubs, and transnational distribution networks in Southeast Asia. Additionally, he has contributed significantly to the academic discourse on Cantonese horror films, focusing on their role in combating superstition and addressing inequalities. His publication record includes chapters in anthologies and special issues exploring Hong Kong’s left-wing films, illustrating his commitment to promoting progressive legacies in cinema. His future research aims to illuminate diverse progressive cultures shaped by alternative globalization through literature, films, and cultural translations.
University of Southern California • Los Angeles, CA
Lecturer in the Department of Cinema Studies.
Columbia University • New York, NY
Adjunct Professor in the Department of Cinema Studies.
GRE is NOT required for Master's applicants for 2025-2026.