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Lilah Fowler is a British-Japanese artist based in London, known for her innovative artworks that fuse digital and analogue organic methods. Utilizing hand-weaving techniques, ceramics, algal growths, and bespoke image-generating software, Fowler's pieces delve into themes such as landscape, infrastructure, and the geopolitics of hyper-landscapes. Her sculptural-led installations often merge textile, clay, found objects, film, and sound, highlighting the potential of abstraction inherent in material translation. Since joining the Slade School of Fine Art in 2010, she has been teaching various levels, focusing on Fine Art Sculpture. As a fellow of the Higher Education Academy since 2014, Fowler has also undertaken external examining roles at Goldsmiths, University of London. Her work has been showcased in notable solo exhibitions, including 'Code Clay, Data Dirt' at Firstsite, Colchester, and 'nth nature' at Galerie Gisela Clement, Bonn. Active in extensive collaborative projects, her recent research reflects on the hybrid identity of Japanese arts, crafts, and the cultural implications of her heritage.