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Luke Skrebowski is a lecturer specializing in Contemporary Art with a focus on the history and theory of late 20th and early 21st century art, particularly in the UK, Europe, USA, and Brazil. His research interests encompass Conceptual and Postconceptual art, as well as the history and theory of photography and technical images, emphasizing photoconceptualism. Luke is the author of 'Trevor Paglen: Sites Unseen' and co-editor of 'Aesthetics Contemporary Art'. Currently, he is completing a book titled 'Contesting Technocracy: Conceptual Art, Aesthetics and Politics 1968', which centers on artists such as Ian Burn, Hans Haacke, Mierle Laderman Ukeles, and Hélio Oiticica. His articles have been published in various journals, including Art History and Grey Room. He also serves on the editorial board of the journal ARTMargins and is involved in organizing conferences and workshops related to art and criticism. Luke completed his education in art history and aesthetics at Middlesex University and earned a PhD from the Centre for Research in Modern European Philosophy. He has previously held a lectureship at the University of Cambridge and is open to supervising doctoral and postdoctoral students in late modern and contemporary art.
University of Manchester • Manchester, England
Teaching and researching contemporary art, with a focus on photography and conceptual art.
University of Cambridge • Cambridge, England
Fixed-term lectureship focusing on art history and contemporary practices.
Includes MSc in Advanced Electrical Power Systems and MSc in Communications and Signal Processing.