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Michael Gamer is a Professor of English at the University of Pennsylvania, where he also serves as the Graduate Chair of Comparative Literature. His research interests lie in the impact of media ecologies on aesthetic forms, particularly in the areas of Poetry, Gothic literature, and performance studies. He has received a Global Professorship from the British Academy (2020-2024), which has facilitated his exploration of melodrama and Digital Humanities. Gamer's publications include notable works such as Romanticism Gothic (2000) and Self-Canonization, Business Poetry (2017), among others. He has collaborated on several monographs, including Cultural History of Tragedy in the Age of Empire and Interacting Print: Modes of Reading in the Age of Print Saturation. Gamer's scholarly pursuits also encompass the study of genre and canon formation, reflected in his co-edited editions of anthologies and research articles addressing various topics ranging from melodrama to gender performance. He is a recipient of multiple teaching awards for his distinguished instruction, and he is immersed in a forthcoming comprehensive performance database for Romantic Melodrama, alongside fellow scholars. His dedication to education is evident in the diverse range of courses he has taught at the Penn, covering themes from Gothic literature to the Romantic period.
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