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Monika Kin Gagnon is an accomplished academic specializing in Communication Studies, currently at Concordia University. With a PhD from Simon Fraser University, her research interests encompass experimental media arts, alternative media, and the cultural politics surrounding identity and significant historical events such as Expo 67. Gagnon has been actively involved in various contemporary art projects and has co-curated exhibitions that delve into the innovative practices of Canadian artists. She has contributed extensively to the field through numerous publications, including essays focusing on Canadian experimental film and media art. Notably, her work has explored the nexus of technology, film production, and social discourse, particularly regarding landmark cultural events like Expo 67. Her ongoing projects examine early IMAX cinema and its architectural significance within media history while also engaging with themes of augmented reality and public memory. Gagnon's academic contributions have been recognized through prestigious fellowships and her involvement in scholarly presentations at significant conferences. Her dedication to teaching and mentoring students is evident through her work at Concordia University, where she continues to foster critical discourse in media studies and cultural representation.
Administered by the Mel Hoppenheim School of Cinema; focuses on cinematic arts practice and research-creation.