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Philip Charrier specializes in the processes of modernization and development in Asia, with a particular focus on visual culture in twentieth century Japan. His research addresses tensions between artistic and documentary modes of expression in photography and cinema, as well as the wider socio-cultural context surrounding individual creativity and influences. He explores the intention and reception of works, the subjectivism and anti-subjectivism within ‘Eastern’ and ‘Western’ cultural constructs, especially regarding cultural borrowing. Charrier has published extensively in the fields of photography studies and visual culture. His current research investigates the contested notions of documentary ‘truth’ through the lens of Peter Beard’s foundational work in environmental photography. He also examines George Bataille’s thoughts and the epistemically transformative experiences of photographs that commemorate or replicate events. His teaching includes a variety of history courses related to modernity and memory in Asia.
Standard graduate requirements applicable to most departments including Science, Engineering, and Arts.