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Philip Rupprecht specializes in music from the twentieth and twenty-first centuries. His recent writings address institutional politics of musical taste, concepts of narrative in operatic drama, and the role of stereotype formation in national traditions of music, as well as the agency effects in instrumental music. His research utilizing the BBC Written Archives led to a study of the production of middlebrow taste in Britain during the 1950s. He has authored a book titled 'British Musical Modernism'.
Duke University • Durham, NC
Specializes in music from the twentieth and twenty-first centuries.
Department of Biomedical Engineering (MS program)