Dr. Rebecca Herissone

Professor

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Biography

Rebecca Herissone is a Professor of Musicology at the University of Manchester, where she focuses on the cultural history of music, critically engaging with the analysis of creativity and material culture in early modern England. Throughout her academic career, she has contributed to the understanding of music manuscripts and print publications, addressing ontological issues within early modern music notation. Her key research projects include the monograph 'Musical Creativity in Restoration England', which received the Diana McVeagh Prize from the North American British Music Studies Association in 2015, and several edited collections that explore the interconnectedness of music, drama, and literature. In her teaching, she specializes in the study of musical cultures in the seventeenth century, with a particular emphasis on creativity and source studies. Her role as co-editor of the peer-reviewed journal 'Music & Letters' has further solidified her position as a leading figure in the field, while her ongoing research continues to innovate on topics related to Henry Purcell and the historical performance practice. She has been involved in various advisory capacities for projects funded by the Arts and Humanities Research Council, particularly those focusing on Restoration Shakespeare and the works of John Eccles.

Research Interests

Experience

Professor

2006-01-01 — Present

University of Manchester • Manchester, ENG

Conducting research and teaching in Musicology, specializing in early modern music, creativity, and material culture.

Senior Lecturer

2006-01-01 — Present

University of Manchester • Manchester, ENG

Teaching courses related to music historiography and musical notation.

Lecturer

1999-01-01 — 2005-01-01

Lancaster University • Lancaster, ENG

Focused on musicological methodologies and early modern music.

Research Fellow

1995-01-01 — 1999-01-01

Emmanuel College, Cambridge • Cambridge, ENG

Engaged in research on performance practices in the Restoration period.

Courses

Early Opera Musical Notation Approaches to Musicology Music Context (Music, Society Print 16th Century) Advanced Study in Musicology (Receiving Restoration Music) Advanced Study in Performance Issues Dissertation (Convenor Workshop Director) Advanced Music Studies Historical Contemporary Performance

Requirements for University of Manchester

Master Program
Requirements
GPA Requirement
Required:3.3
IELTS
Listening
Required:6
Reading
Required:6
Writing
Required:6
Speaking
Required:6
Overall
Required:7
TOEFL
Listening
Required:20
Reading
Required:20
Writing
Required:20
Speaking
Required:20
Total
Required:100
Prerequisites
Bachelor's degree in a relevant engineering or science subject Strong background in mathematics and physics
Application Checklist
  • Academic transcripts
  • Two academic references
  • Personal statement
  • CV/Resume
  • English language proficiency certificate
Specialization Notes

Includes MSc in Advanced Electrical Power Systems and MSc in Communications and Signal Processing.