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Sarah Pickering is an Associate Professor at the Slade School of Fine Art, University College London. Her research primarily focuses on the themes of falsity and deception in photographic image-making and associated media. With a unique approach that blends art and science, Pickering's work often examines the mediated versions of reality, exploring complex issues surrounding fakes, hierarchy, science fiction, and explosive imagery. Her artistic practice is recognized for its innovative and interdisciplinary nature, as she collaborates with various professionals, including scientists, historians, and forensic investigators. Over the past two decades, her artworks have been showcased in significant exhibitions globally, often connecting the realms of science and art, thus fostering a rich dialogue between the two fields. Notable exhibitions include 'Revelations' at the Science Museum in London and 'Photographing Britain' at Tate Britain. Her public engagement efforts and contributions to fine art have established her as a leading figure in her field. Pickering's solo exhibitions include 'Incident Control' at the Museum of Contemporary Photography in Chicago and 'Celestial Objects' at the Durham Art Gallery. A co-founder of the Global Photographies Network, she actively participates in discussions on the role of photography in contemporary contexts, addressing the evolving dynamics between art, representation, and societal impact.