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Sing D'Arcy is a Senior Lecturer at the University of New South Wales, where he has conducted his academic journey since completing his undergraduate studies and PhD in architectural history at the University of Sydney. His primary research interests encompass the intersection of music and architecture, specifically within the context of sacred ritualized spaces during the Early Modern period, focusing on Ibero-American realms from 1450 to 1800. He pays particular attention to the Baroque period and examines historic and contemporary Australian interiors. Sing is an active contributor to industry journals, providing critical reviews on contemporary Sydney interiors, residential and workplace designs, and hospitality spaces. He has received grants for projects that explore the historical and emotional resonance of architectural spaces and has served as an Associate Investigator at the ARC Centre of Excellence for the History of Emotions, emphasizing the interplay of space, music, and emotion in ecclesiastical architecture. In his teaching, he coordinates design studio courses and guides fourth-year students through their design practices and graduation projects.
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