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Tamara Trodd is a Senior Lecturer at Edinburgh College of Art, University of Edinburgh. She specializes in Modern and Contemporary Art and has significant research interests in artists' film and video work, including the impact of technology on artistic practice. Her forthcoming book, 'Counter Realism: Art Subjectivity Contemporary Capitalism,' focuses on counter-realist art and its historical roots in artists such as William Kentridge and Ryan Trecartin. Trodd has previously published a book titled 'Art Mechanical Reproduction: Technology Aesthetics Duchamp Digital,' which examines the concept of mechanical reproduction across various art forms from the 1920s to present day. She has received a Leverhulme Research Fellowship to support her work on contemporary film and video art. Tamara has contributed articles to esteemed journals such as Art History and the Oxford Art Journal and has been involved in teaching various courses related to contemporary art and media theory.
Edinburgh College of Art, University of Edinburgh • Edinburgh, Scotland
Teaching Modern and Contemporary Art and related subjects, with a specific focus on the impact of artists' film and video on contemporary practices.
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