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Timothy Barker is a professor in Media Technology at the University of Glasgow, specializing in aesthetics within the contexts of Theatre, Film, and Television Studies. His research extensively focuses on critical analyses of the aesthetics of digital technology in the contemporary landscape. Barker's scholarly work primarily resides in the domain of media archaeology and engages deeply with media theory, art theory, and the philosophy of technology. His notable publications include 'Time Digital' (Dartmouth, 2012), which elucidates the connections between the philosophy of time and the works of Gilles Deleuze and A.N. Whitehead, examining the implications of time, history, and memory in digital aesthetics and communication technologies. Additionally, his book 'Transmission: Media Philosophy Engineering Time' (Bloomsbury, 2018) investigates historical approaches to time and technology, contemplating how the experiences of time are shaped by engineered history and the media of measurement and storage. Furthermore, Barker’s current research addresses technological implications during moments of crisis, drawing upon Michel Serres' philosophical insights on technology. He has also secured various grants, including a significant award from the Arts and Humanities Research Council for research infrastructure.