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Tobias Putrih engages with the interplay of art, culture, and technology through his practices that often challenge conventional architectural paradigms. His works explore the potential of digital production tools, interfaces, and simulations to create thought-provoking experiences in public venues such as cinemas, libraries, and galleries. Collaborating with a diverse range of professionals including architects, filmmakers, and computer programmers, Putrih’s art often manifests as conceptual models that invite viewers to reevaluate spaces defined by utopian concepts of design. His projects frequently employ makeshift materials like cardboard and plywood, reflecting a hands-on approach to experimental fabrication. With solo exhibitions in prestigious museums such as the Museum Boijmans Van Beunigen and the Centre Pompidou, Putrih's work is showcased in significant group exhibitions including the Venice Biennale and the São Paulo Biennale, firmly placing him in the international art scene. His contributions are preserved in major permanent collections, showcasing the evolution of contemporary spatial theory through artistic interventions and installations.