Creative Ethnomusicology Professors in Global

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Lea Hagmann
University of Bern Switzerland
ethnomusicology
applied ethnomusicology
cultural anthropology of music
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Tony Rasmussen
University of Texas at Austin United States of America
ethnomusicology
applied ethnomusicology
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Kay Shelemay
Harvard University United States of America
ethnomusicology
musical ethnography
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Hettie Malcomson
University of Southampton United Kingdom
ethnomusicology
ethnographic study of music
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Oliver Seibt
University of Amsterdam Netherlands
ethnomusicology
cultural musicology
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Julie Rickwood
Australian National University Australia
ethnomusicology
ecomusicology
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Clint Bracknell
University of Western Australia Australia
ethnomusicology
ecomusicology
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Carol Muller
University of Pennsylvania United States of America
ethnomusicology
critical ethnography
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Daniel Fisher
University of California, Berkeley United States of America
ethnomusicology
experimental ethnography
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Britta Sweers
University of Bern Switzerland
applied ethnomusicology
cultural anthropology of music
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Joseph Jordania
University of Melbourne Australia
ethnomusicology
anthropology of music
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Miwa Takeuchi
University of Calgary Canada
critical ethnography
ethnographic research
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Jean-michaël Lavoie
University of Montreal Canada
music creation
creative processes
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Lee Martin
University of Warwick United Kingdom
creative production
creative processes
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Nick Drofiak
University of the West of England, Bristol United Kingdom
critical ethnographies
creative-practice based research methods
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Georgina Born
University College London United Kingdom
experimental music
music anthropology
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Magnus Course
University of Edinburgh United Kingdom
creative ethnography
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Jenna Ashton
University of Manchester United Kingdom
creative ethnography
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Rachel Harkness
Edinburgh College of Art United Kingdom
creative ethnography
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Damina Khaira
Harvard University United States of America
creative ethnography
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Helene Balslev Clausen
Aalborg University Denmark
creative ethnographic methodologies
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