Auditory Culture Professors in Global

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Sébastien Santurette
Technical University of Denmark Denmark
auditory perception
audiology
hearing research
psychoacoustics
environmental acoustics
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Cheol-ho Jeong
Technical University of Denmark Denmark
auditory virtual reality
acoustics
speech music perception
psychoacoustics
architectural acoustics
environmental acoustics
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Tobias Neher
University of Southern Denmark Denmark
auditory neuroscience
hearing technology
audiology
hearing psychoacoustics
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Torsten Dau
Technical University of Denmark Denmark
hearing technology
audiology
hearing research
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Denis Martin
University of Toronto Canada
audio education
critical listening
sound perception
inclusion in audio research
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Jason Glenn
University of Southern California United States of America
political culture
intellectual culture
religious culture
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Imran Mulla
University of Edinburgh United Kingdom
audiology
hearing technologies
educational audiology
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Robyn Choi
University of Western Australia Australia
audiology
auditory processing disorders
educational audiology
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Dorte Hammershøi
Aalborg University Denmark
sound environment
audiology
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Sumitrajit Dhar
Northwestern University United States of America
hearing science
audiology
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Vidya Krull
Northwestern University United States of America
hearing science
audiology
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Stefan Bleeck
University of Southampton United Kingdom
hearing science
audiology
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Christian Brandt
University of Southern Denmark Denmark
audiology
auditory processing disorder
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Peter Reichel
University of Hamburg Germany
political culture
memory culture
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Nicci Campbell
University of Southampton United Kingdom
auditory processing disorder
hearing
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Lyndsey Copeland
Carleton University Canada
sound environment
racialized listening aesthetics
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Andre De Almeida
University of New South Wales Australia
musical acoustics
voice acoustics
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Sten Ternström
KTH Royal Institute of Technology Sweden
audio technology
music acoustics
voice acoustics
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Dale Bradley
Brock University Canada
technology culture
office culture
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Nelli Khorsun
Stockholm University Sweden
cultural consumption
algorithmic consumer culture
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Iain Findlay-walsh
University of Glasgow United Kingdom
sound art
politics of listening
sound studies
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