Audio Recording Professors in Global

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Sten Ternström
KTH Royal Institute of Technology Sweden
audio technology
voice acoustics
voice analysis
audio signal processing
voice synthesis
music acoustics
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Denis Martin
University of Toronto Canada
audio education
sound perception
critical listening
audio system evaluation
inclusion in audio research
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Philippe Depalle
McGill University Canada
sound analysis
sound synthesis
sound processing
control of sound synthesis
simulation of musical instruments
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Iain Findlay-walsh
University of Glasgow United Kingdom
field recording
record production
sound design
sound art
sound studies
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Mark Plumbley
King's College London United Kingdom
sound detection
acoustic scenes
generation of sound
generative audio
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Stefan Bilbao
University of Edinburgh United Kingdom
sound synthesis
acoustics
audio signal processing
room acoustics
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Laurie Heller
Carnegie Mellon University United States of America
sound perception
acoustic cues
auditory processing
sound localization
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Joshua Rager
Concordia University Canada
listening
hearing
ear training
music composition
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Jacob Downs
University of Oxford United Kingdom
listening
voice
music
sound studies
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Noah Drew
Concordia University Canada
listening
voice
sound design
music composition
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Ewen Macdonald
University of Waterloo Canada
auditory perception
acoustics
speech perception
speech production
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Tobias Neher
University of Southern Denmark Denmark
hearing technology
hearing psychoacoustics
hearing aids
speech perception
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Johanna Wilroth
Linköping University Sweden
noise reduction
auditory attention
cognitive audio processing
hearing aids
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Yaqian Huang
University of Alberta Canada
voice quality
speech perception
speech production
acoustic phonetics
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Teresa Ching
Macquarie University Australia
childhood hearing
hearing aids
sound discrimination
hearing loss
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Jason Corey
University of Michigan United States of America
sound recording
musical acoustics
audio processing tools
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Frédéric Dallaire-tremblay
Université de Montréal Canada
sound creation
sound mixing
collective listening practices
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Kiri Mealings
Macquarie University Australia
listening
hearing
acoustics
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Stephan Moore
Northwestern University United States of America
field recording
audio spatialization
sound design
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Coen Elemans
University of Southern Denmark Denmark
sound production
auditory perception
vocal communication
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Gabriel Vigliensoni
Concordia University Canada
sound music making
digital audio
sound design
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