18th Century Performance Aesthetics Professors in Global

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Suzanne Aspden
University of Oxford United Kingdom
18th-century performance aesthetics
18th-century opera
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Tom Beghin
McGill University Canada
eighteenth-century performance
nineteenth-century performance
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Michael Charlesworth
University of Texas at Austin United States of America
18th century art
19th century art
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Ersy Contogouris
Université de Montréal Canada
18th century art
19th century art
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Holly Shaffer
Brown University United States of America
18th century art
19th century art
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Mark Ferraguto
Pennsylvania State University United States of America
18th century music
19th century music
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Helena Langewitz
University of Bern Switzerland
music theater of the 18th century
music theater of the 17th century
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Thomas Schmidt
University of Manchester United Kingdom
music of the 18th century
music of the 19th century
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Emily Hodgson Anderson
University of Southern California United States of America
eighteenth-century drama
18th century british literature
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Jenny Nex
University of Edinburgh United Kingdom
performance practices of the 18th century
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Daniel Dumouchel
Université de Montréal Canada
18th century aesthetics
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Jesse Read
University of British Columbia Canada
18th century music
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Danielle Bainbridge
Northwestern University United States of America
performance (18th c to contemporary)
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John Bonehill
University of Glasgow United Kingdom
eighteenth century art
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Guido Olivieri
University of Texas at Austin United States of America
18th-century music
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Christoph Frank
Università della Svizzera italiana Switzerland
eighteenth century art
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Tobias Plebuch
Uppsala University Sweden
18th-century music
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Alicia Caticha
Northwestern University United States of America
eighteenth century art
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Aileen Robinson
Stanford University United States of America
18th century british theatre
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Sarah Burdett
University of Cambridge United Kingdom
eighteenth-century theatre
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Tim Berndtsson
Uppsala University Sweden
18th-century culture
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