Performance Practices Of The 18th Century Professors in Global

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Tom Beghin
McGill University Canada
eighteenth-century performance
nineteenth-century performance
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Suzanne Aspden
University of Oxford United Kingdom
18th-century performance aesthetics
18th-century opera
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Mark Ferraguto
Pennsylvania State University United States of America
18th century music
historical performance practices
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Helena Langewitz
University of Bern Switzerland
music theater of the 18th century
music theater of the 17th century
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Guido Olivieri
University of Texas at Austin United States of America
18th-century music
performance practices
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Thomas Schmidt
University of Manchester United Kingdom
music of the 18th century
music of the 19th century
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Margaret Faultless
University of Cambridge United Kingdom
eighteenth-century repertoire
historical performance practice
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Jenny Nex
University of Edinburgh United Kingdom
performance practices of the 18th century
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Danielle Bainbridge
Northwestern University United States of America
performance (18th c to contemporary)
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Jesse Read
University of British Columbia Canada
18th century music
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Tobias Plebuch
Uppsala University Sweden
18th-century music
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George Levesque
Yale University United States of America
18th century cultural history
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Tim Berndtsson
Uppsala University Sweden
18th-century culture
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Claudia Johnson
Princeton University United States of America
eighteenth-century music culture
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Aileen Robinson
Stanford University United States of America
18th century british theatre
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Sarah Burdett
University of Cambridge United Kingdom
eighteenth-century theatre
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Kate Helsen
Western University Canada
baroque performance practice
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Stephen Alltop
Northwestern University United States of America
historic performance practices
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Miriam Akkermann
Freie Universität Berlin Germany
music performance practices
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Olga Sanchez-kisielewska
University of Chicago United States of America
eighteenth-century music
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Cw Marshall
University of British Columbia Canada
ancient performance traditions
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