Performance Practices Of The 18th Century Professors in Global

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Mark Ferraguto
Pennsylvania State University United States of America
18th century music
historical performance practices
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Helena Langewitz
University of Bern Switzerland
music theater of the 18th century
music theater of the 17th century
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Guido Olivieri
University of Texas at Austin United States of America
18th-century music
performance practices
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Thomas Schmidt
University of Manchester United Kingdom
music of the 18th century
music of the 19th century
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Danielle Bainbridge
Northwestern University United States of America
performance (18th c to contemporary)
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Jesse Read
University of British Columbia Canada
18th century music
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Tobias Plebuch
Uppsala University Sweden
18th-century music
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Tim Berndtsson
Uppsala University Sweden
18th-century culture
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Claudia Johnson
Princeton University United States of America
eighteenth-century music culture
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Sarah Burdett
University of Cambridge United Kingdom
eighteenth-century theatre
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Joseph Fort
King's College London United Kingdom
eighteenth-century music
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Diane Oliva
University of Michigan United States of America
eighteenth-century music
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Olga Sanchez-kisielewska
University of Chicago United States of America
eighteenth-century music
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Benedict Taylor
University of Edinburgh United Kingdom
late 18th-century music
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Miriam Akkermann
Freie Universität Berlin Germany
music performance practices
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Stephen Alltop
Northwestern University United States of America
historic performance practices
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Mark Steinbach
Brown University United States of America
historic performance practices
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Michael Charlesworth
University of Texas at Austin United States of America
18th century art
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Ersy Contogouris
Université de Montréal Canada
18th century art
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Holly Shaffer
Brown University United States of America
18th century art
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Troni Grande
University of Regina Canada
18th-century drama
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