Baroque Performance Practice Professors in Global

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Joel Speerstra
University of Gothenburg Sweden
performance practice
baroque music
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Stephen Alltop
Northwestern University United States of America
baroque music
historic performance practices
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Daniel Stighäll
University of Gothenburg Sweden
baroque music
historical performance practice
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Dave Sherry
Edinburgh College of Art United Kingdom
performance art
actions in performance art
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Nadia Myre
Concordia University Canada
performance art
art practice
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Borys Medicky
Western University Canada
baroque music
historical performance practice
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Katherine Twaddle
University of Manitoba Canada
performance practice
historical baroque gesture
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Denise Petzold
Maastricht University Netherlands
performance art
performing arts
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Tina Glenvik
University of Gothenburg Sweden
artistic performance
music dramatic performance
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Laurel Ridd
University of Manitoba Canada
baroque music
flute performance
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Laurel Ridd
University of Manitoba Canada
baroque music
flute performance
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Réjean Poirier
University of Montreal Canada
baroque music
musical performance
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Ellen Harris
Massachusetts Institute of Technology United States of America
baroque opera
vocal performance practice
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Cecilia Lagerström
University of Gothenburg Sweden
performance practices
movement-based theatre
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Angélique Willkie
Concordia University Canada
choreographic practice
performing arts
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Eliza Bent
Northwestern University United States of America
performance art
theatrical productions
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Andrew Forster
Concordia University Canada
art practice
performance public space
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Jacqueline Jenkins
University of Calgary Canada
medieval performance
dramatic productions
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Margaret Faultless
University of Cambridge United Kingdom
historical performance practice
violin performance
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Angela Viora
Monash University Australia
performance art & embodied practices
performing arts
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Mia Höglund-melin
University of Gothenburg Sweden
performance techniques
performing arts
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