Historic Performance Practices Professors in Global

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Kijan Espahangizi
University of Zurich Switzerland
historical culture
historical didactics
historical education
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Lori Baptista
Northwestern University United States of America
performance ethnography
performance studies
performing arts
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Raafat Majzoub
Massachusetts Institute of Technology United States of America
cultural practices
performance art
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Paromita Rakhi
University of Manchester United Kingdom
cultural practices
social practices
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Catherine Theis
University of Southern California United States of America
dramatic traditions
performance studies
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Jason Bowman
University of Gothenburg Sweden
performance art
collective practices
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Mary Kelley
University of Pennsylvania United States of America
performance art
historical narrative
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Yannick Desranleau
University of Alberta Canada
performance art
professional practice
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Nadia Myre
Concordia University Canada
performance art
art practice
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Denise Petzold
Maastricht University Netherlands
performance art
performing arts
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Wanja Wolff
University of Hamburg Germany
human performance
performance
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Maggie Gale
University of Manchester United Kingdom
british performance cultures
theatre historiography
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Caiti Hauck
University of Bern Switzerland
choral music performance practice
historical musicology
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Patrick Duggan
University of Southampton United Kingdom
political performance
performance studies
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Mark Sussman
Concordia University Canada
performance ethnography
performance studies
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Alexandra Kovacs
University of Victoria Canada
theatre historiography
performance theory
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Callan Davies
University of Southampton United Kingdom
performance
the history play
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Fred Dewitt
University of California, Berkeley United States of America
performance
art practice
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Andrew Forster
Concordia University Canada
performance public space
art practice
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Andrew Scherer
Brown University United States of America
ritual practices
political practices
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Angélique Willkie
Concordia University Canada
performance
performing arts
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